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Monday, March 25, 2013

Victorian Novelists

During the Victorian period, women writers
were measured against a social rather than a
literary ideal. Hence, it was widely supposition that
novels by women should be modest, religious,
(5) sensitive, guileless, and chase, like their authors.
some(prenominal) Victorian women writers took exception to
this belief, however, resisting the imposition of
nonliterary restrictions on their work. Publishers
briefly discovered that the gentlest and most iddylike
(10) female novelists were tough-minded and relentless
when their professional justice was at stake.
Keenly aware of their artistic responsibilities,
these women writers would not feature concessions
to secure commercial success.
(15) The Brontes, George Eliot, Elizabeth Barrett
Browning, and their lesser-known contemporaries
repudiated, in their professional lives, the cour-
tesy that Victorian ladies faculty exact from Victorian
gentlemen. Desiring rigorous and impartial
(20) criticism, most women writers did not wish
reviewers to be genial to them if kindness meant
overlooking their literary weaknesses or flattering
them on their accomplishments solely because of
their sex. They had expected derisive reviews;
(25) instead, they found themselves confronted with
generous criticism, which they considered con-
descending.

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Elizabeth Barrett Browning labeled
it the proportional respect which means...
absolute scorn.
(30) For their part, Victorian crities were virtually
obsessed with finding the ready of the woman writer
so as to judge her appropriately. Many bluntly
admitted that they thought Jane Eyre a masterpiece
if written by a man, shocking or disgusting if
(35) written by a woman. Moreover, reactionary
reviewers were quick to gent an independent
heroine with carefully concealed revolutionary
doctrine; several considered Jane Eyre a radical
womens rightist document, as indeed it was. To Charlotte
(40) Bronte, who had demanded dignity and independence
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