A man stands on the cliffs of capital of Delaware, looking out at the ocean. He is self-absorbed and experiencing feelings of dejection. This man goes on for stanzas uttering thoughts to himself, at least that is what integrity could surmise from the indifferent tone. Then, when the reader is convinced that the man is just now philosophizing out loud to himself, the man addresses for the first clock another party. That party is a char, one that he refers to as love. Funny, she is almost not visible for the entire song and then suddenly she is. His aloofness to her presence ends the poem in such a way that the reader is left to wonder and necessitate about the whole picture the remainder of the story. The poem The capital of Delaware Bitch: A Criticism of Life, written by Anthony Hecht in 1968, undermines and debases the introspection and romanticism of Matthew Arnolds, Dover Beach, written about a century earlier in 1867.
Introspection is the reflective mental test of ones thought process and sensory experience. From the very first declination of The Dover Bitch, the introspection of the Matthew Arnolds poem is completely deconstructed. The prank is a casual conversation that one might chance upon in a bar. The speaker could easily be the topical anaesthetic bartender in any t declare.
He indulges a attendee and begins to tell a tale about a woman whose only thought about her time on the cliffs of Dover with Matthew was how nice his whiskers would have felt on her neck. In the original poem the girl is there with Matthew but that mentioned because he is too wrapped up in his own thoughts to notice her. In the parody, however, the woman is the main subject of the poem but ironically enough she is not there. This is the...
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