In Pity Me Not, Millay uses the cyclical forces of nature as a metaphor for her version of the cycle of love, a version that concludes a mans love for a woman incessantly ends. Her comparison, however, becomes paradoxical as she moves from the rational mind to the emotional heart.
The first stanza begins immediately with her rational comparisons of nature to love. In the first two lines she fonts at the sunset and one is reminded of the warmth love brings to life. A warmth that naturally fades as love dies. Next, she moves to beauty and the age process.
Unfortunately as women get older, American society lots considers their beauty lost just as f spurns wither as winter approaches. Millay seems to assume that men cannot love if the woman has no beauty left. The waning of the moon can easily adduce to the loss of romance and passion, since moonlight is often considered a esthetic setting. Finally, the ebbing of the tide washes away any remnants of the romance. Passions tide will only go lower and lower from this point.
Millay finishes the octave directly tying love to nature. Up to this point, love has not been explicitly addressed. Finally, she gets to the thrust of the poem, Nor that a mans desire is hushed so soon, and you no longer look on love with me. It is clear in this octave that Millay...If you neediness to get a full essay, order it on our website: Ordercustompaper.com
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